Abisko | By Claesson Koivisto Rune
The ‘Abisko' seating family builds on a rounded silhouette and a soft volume that is cut sharp on the four sides.
The concept provides not only a unique expression but also a smaller footprint and favors repeated elements and furnishing along walls, facilitating the planning of environments such as offices, hotels, and public areas. The visible wooden frame is a detail that allows endless combinations of upholstery fabrics and finishes without compromising the design integrity.
The power of a simple shape
The same one as the door of Lapland:Â Abisko, hence the name of this new family of chairs, sofas, and daybeds designed by Claesson Koivisto Rune. From the name of an immense natural park to the name of an object on a human scale: they share the same colors, passion for natural shapes, and knowledge of materials.
Abisko Collection Catalog
Abisko Collection Tech Sheet
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Features
- Sofa, armchair, and bench options.
- Solid oak wood frame.
- Solid steel tubes.
- Options table attached to the front leg.
- Suitable for both residential and commercial use.
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> Dimensions
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For the standard steel colors and seat finishes please check the tech sheet.
Claesson Koivisto Rune
Claesson Koivisto Rune is a Swedish architectural partnership, founded in Stockholm, in 1995, by MÃ¥rten Claesson, Eero Koivisto, and Ola Rune. Begun as an architectural firm, it is now an internationally acclaimed, multi-disciplinary office with an equal emphasis on both architecture and design.
Claesson Koivisto Rune was the first Swedish office to have exhibited in the international section at the Venice Architecture Biennale, in 2004. The office has received an array of awards and recognitions, amongst them the prestigious Red Dot in five different categories and Designer of the Year by Elle Décor Italia, 2011 and 2014.
Designs by Claesson Koivisto Rune are found in the collections of international brands. A recent example of their architecture is the K5 Hotel in Tokyo. A 400-page architectural monography was published by Birkhäuser, Basel, in 2020.
True Design
True Manifest
Perhaps this is why a name has never been more appropriate, because it is the project of a family that means business and that, when it deals with issues relating to growth and trust in the new generations, probably does not even talk about it, but simply takes direct action. TRUE is a joint project: the project of a family that has become a company. Founded in 1983 under the name TMA, an interesting geographical acronym of three towns – Treviso, Monselice, and Asiago – particularly active in the furniture industry and, specifically, in the office furniture industry. The founders’ Donatella Brunello and Giuseppe Maniero business and technical experience resulted in a company with international prospects, in which seating for offices as well as theaters and cinemas were its only business. The increasingly high capacities achieved in the upholstered furniture sector and the downturn in the auditorium seating sector led the family to evaluate a new path: the creation of a company that carries forward the expertise acquired over the years, combined with the agility and freshness of a family business which since 2009 also includes the second generation of entrepreneurs, that is young Alessandro, Lorenzo, and Francesco Maniero. By virtue of necessity in that same year TRUE was founded, an Italian company that creates high-quality furnishings and accessories, able to respond to the changing needs of the market in an innovative and lasting manner, providing a service that can always effectively satisfy customer needs with industrial products which can be customized upon request. The spirit of the brand is contained in a single concise and precise adjective that reflects the values on which its collection is based, characterized by authenticity, practicality, and concreteness.
These same adjectives fit perfectly with the coherent and visionary, but also pragmatic, work of the architect Aldo Parisotto, who has been in charge of creative direction since 2014. Parisotto, an internationally renowned architect, co-founder, and owner of Parisotto+Formenton Architetti, immediately joined the TRUE family, with whom he established a direct, spontaneous, sincere, and substantial relationship. TRUE made a strategic choice when it assigned him a role halfway between designer and architect, able to collaborate without limiting himself to imprinting his own distinctive style, but working while taking into consideration the real needs of designers and the public worldwide. At the beginning of the new millennium, workplaces ceased to be places of mere production and became increasingly welcoming and comfortable spaces, where one could stay longer in contexts characterized by the need for emotion even more so than the function of the space itself. Enhancing this aspect by freeing space from the rigid dogmas of the architecture of the past was one of the first challenges that the Art Director faced with regard to the TRUE collections. Each of the company’s creations originates from the passion for the work and the profound sense of responsibility of those who work there, in a family atmosphere in which production increases and is developed. Aware of their role and the essential role of the designers, TRUE’s production is the result of a thorough analysis of the demands of both the market and international production, organized in an open and flexible manner, adopting cutting-edge methods and technologies, focusing on knowledge and training. And, above all, cooperation. In fact, cooperation was a fundamental criterion in the selection of the designers to whom the conception and development of the new TRUE collections are to be entrusted. The designers whose creative talents contribute to further enhancing the TRUE catalog are, therefore, chosen according to the affinity between their ethical and aesthetic approach and that of the company to transform wood, fabric, metals, and leather into furnishing accessories both beautiful and accessible that are exclusively manufactured in Italy. A decade after its inception, TRUE’s objective is to grow continuously in the name of research and innovation and to expand and increasingly stand out on the international level due to the quality of its production and service, competitively consolidating its brand among the most important market segments. Because TRUE focuses on a passion for beautiful and well-performed work for the satisfaction of its customers, offering experience, expertise, capacity, and flexibility, to achieve a dream together, to help make spaces more pleasant and comfortable, with products that are durable both for their taste and for the quality of their materials and workmanship, and that are, therefore, truly sustainable.
